SPACES & SILENCES

     
 

Artist's Statement

The Igbo saying that “If you do not know where the rain started to beat you, you will not know where it ceased to beat you” posits a historical imperative for the understanding of the present and for the survival of a person or a society at any given time. This idea is elaborated in the memorable speech by the Old Man in Chinua Achebe’s novel, Anthills of the Savannah (1987), and resonates with the project, spearheaded by Uche Okeke in the 1970s at Nsukka, to deeply research “traditional” Nigerian art as a foundation for the realization of a vital contemporary art.


At one level, my work has benefited immensely from, and owes a lot to, the forms and aesthetic strategies of Igbo uli drawing and painting, and to a lesser extent nsibidi writing. What these two systems have done is to provide me with a reliable vocabulary for articulating and presenting my responses to life - various environments, events and phenomena. In the same way that my grounding in Igbo and English informs my creative writing, my encountering the arts of various parts of the world has broadened my outlook and practice.